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She was bestowed with the Dadasaheb Phalke Award in 1989. She has also assumed the role of a producer and had a big hand in making four films, including Lekin…, which, in the year 1990, was lyricist Gulzar’s first directorial venture in Bollywood. Mangeshkar sang the song, Wada Na Tod that was added as a soundtrack to the film Eternal Sunshine of the Spotless Mind (2004). On the album, she sang with her younger sister Usha. Under the label, she released an album of bhajans composed by Mayuresh Pai. She launched her own music label, LM Music, in November 2012. Her collaborations with AR Rahman resulted in popular songs like Luka Chupi in Rang de Basanti (2006) and O Paalanhaare in the movie, Lagaan (2001). Mangeshkar sang RD Burman’s first and last songs – in Chote Nawaab (1961) and Kuch Na Kaho in 1942: A Love Story in 1994. The songs she recorded for SD Burman include the hits Aaj Phir Jeene Ki Tamanna Hai, Gata Rahe Mera Dil (duet with Kishore Kumar) and Piya Tose in Guide (1965) and Hothon Pe Aisi Baat in Jewel Thief. She teamed up with Laxmikant-Pyarelal in the 1960s and sang over 700 songs for the composer duo which spanned over 35 years including hits such as Sheesha Ho Ya Dil Ho from Asha Tu Kitne Baras Ka from Karz and Mere Naseeb Mein from Naseeb. For instance, the 1960s hits Aap Ki Nazron Ne Samjha from Anpadh, Lag Jaa Gale and Naina Barse Rim Jhim from Woh Kaun Thi? were rendered in association with Madan Mohan. Later, during the 1960s, she did so for several other Marathi films under the pseudonym Anand Ghan.Īs a singer, Mangeshkar worked with many legendary music directors including the duo Laxmikant-Pyarelal, Madan Mohan, SD Burman, RD Burman and AR Rahman.
#AAP KI NAZRON NE SAMJHA BOMBAY JAYASHREE MOVIE#
It was in 1955 that she composed music for the Marathi movie Ram Ram Pavhane. The song Aayega Aanewala from the movie Mahal (1949) earned her sky-high popularity. It was there that she also began learning Hindustani music from Ustad Aman Ali Khan of the Bhindibazaar gharana. Mangeshkar moved to Bombay when Master Vinayak’s company shifted there. That was in 1945 and her debut song, Natali Chaitraachi Navalaai, was a song that she recorded for the Marathi film Pahili Mangalaa-gaur.
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Master Vinayak, a friend who also took care of the distraught family after Pandit Deenanath’s death, offered her a minor role in Badi Maa, which was his first Hindi film. Nudged into a career to fend for the family, she rendered a song for the Marathi film Kiti Hasaal which was dropped from the final version of the movie. In 1942, Mangeshkar, then just 13, suffered a huge blow when her father passed away. At 5, she also began acting in her father’s musical plays. Growing up with four younger siblings – Meena, Asha, Usha and Hridaynath, Lata received her initial music lessons from her father. The film industry doyen has been conferred with the Bharat Ratna and Dadasaheb Phalke Award.īorn in Indore on Septemto classical singer and theatre artist Pandit Deenanath Mangeshkar and Shevanti, she was originally named Hema, her parents later changed it to Lata, inspired by a character in a Marathi play. Famous as the Nightingale of India, her songs have figured in over a thousand Hindi films, 36 regional and foreign language during a seven-decade career.